Kulturnoumetniško društvo Trivia
Za sodelovanje pri umetniškem projektu Marije Mojce Pungerčar vabimo k donacijam knjig, ki bodo v okviru projekta zaokrožile v brezplačni izmenjavi knjig. Iščemo tudi šiviljske sodelavke.Marija Mojca Pungerčar: The Socialdress Service in Brussels and the Jakopič Recognition
THE SOCIALDRESS SERVICE PROJECT IN BRUSSELS
On April, 27th, my project Socialdress Service appeared at the Trouble festival in Brussels. In the Maison des Femmes I led three sewing worhskops that helped the participants to mend old used clothes, or clothes they €™d like to transform.
The team of six local textile design students helped to approx. 40 participants from various social backgrounds. The daylong sewing marathon completed at the end of the day with the exhibition at the Maison des Arts.
The appearance of the Socialdress Service in Brussels was a part of the international collaborative project Crisis, What Crisisč, kurated by Antoine Pickels. The slovenian selector was Mara Vujić, the art director of the City of Women Festival. The Trouble Festival was organised by Les Halles de Schaerbeek.
http://www.socialdress.net/index.phphtm=socialdress/delavnica-eng1
THE JAKOPIČ RECOGNITION
In April 2013 I was awarded with The Jakopič Recognition. The Recognition was granted this yeas first time in the frame of the Jakopič Award, an art award in Slovenia awarded each year for achievements in the fine arts. It has been bestowed since 1969 by the Ljubljana Academy of Fine Arts and Design, the Museum of Modern Art, the Slovene Fine Artists’ Association and The Slovene Art Critic’ Association. Ony three women artists received the Jakopič Award in the history of this award.
The intervju with me conducted by Petja Grafenauer:
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Marija Mojca Pungerčar
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Links:
Novičnik za samozaposlene v kulturi je na Ministrstvo za kulturo poslal pobudo o uskladitvi dnevnega nadomestila za čas zadržanosti od dela zaradi bolezni ter predloge za izboljšavo dnevnega nadomestila v korist samozaposlenih v kulturi....more »
Novičnik za samozaposlene v kulturi je na Ministrstvo za kulturo poslal pobudo o uskladitvi dnevnega nadomestila za čas zadržanosti od dela zaradi bolezni ter predloge za izboljšavo dnevnega nadomestila v korist samozaposlenih v kulturi....more »
Preberite si odgovore na pogosto zastavljena vprašanja o Novičniku, oglejte si primerek kazala in se prepričajte, kako so naročniki zadovoljni z Novičnikom!...more »
Summer Songs, drugi projekt dua The Silent Movies, je umetniško okolje, sestavljeno iz vrste virov vizualnih, zvočnih in verbalnih informacij, ki so med seboj odvisni. Deluje kot neskončen koncert, na katerem video instalacija, sestavljena iz serije nedavnih nemih filmov Francisca Tomsicha, zagotavlja grobo gradivo, rdeče niti in digitalne podatke zvočnemu ekosistemu Boruta Savskega..
Lately i am acquiring some finger dexterity again. The victims are some relatively newly developed instruments (turboguitars, turboflutes and cirkulinos). Here is a selection of cutouts from various live situations - mostly as parts of Cirkulacija 2 program - from 2020 onwards.
Celjska interdisciplinarna impro zasedba s projektnim imenom Umoblodnica v sestavi: Iva Tratnik, Andreja Džakušič, Keiko Miyazaki, Estela Žutić, Simon Macuh, Dalibor Bori Zupančič, Borut Peternelj – Amper-o-mat. Posnetek nastopa 20. maja 2021 Cirkulaciji 2 | podhod Ajdovščina.
Generative algorithmic composition excerpts based on realtime video data for Francisco Tomsich "ELEGIJA | ELEGY" video installation presented from 10th to 21st July 2020 at Cirkulacija 2 Ljubljana Slovenia. Elegija (Elegy) is a mournful song performed by ensemble of video installations, sculptures and sound installation – made specifically for Cirkulacija 2 premises in Ajdovščina subway.
Field recordings in air and water during the Cirkulacija 2 visit in Finland. The place of rest and contemplation was at Future Lake near Helsinki and the performance place was on Merikerho club/ ship in Helsinki harbor. Boštjan Leskovšek was using the underwater recordings as his instrument. Here it is as separate album.
